Wednesday, December 27, 2017
Wow, numbers don't "usually" lie...this is interesting...who REALLY pays taxes?
I had no idea there were this many people not paying taxes and getting this much back. 89 BILLION returned to people who didn't pay any taxes at all...fuck me.
Article attempt - What's coming with this sexual harassment blitz...
No matter how you look at it, the year 2017 was a gangbuster year for sexual harassment impact in American society. Nearly a hundred in Hollywood accused. Almost 50 in mainstream liberal media have accused of the same.
One thing to remember here is that all the impact has been before guilt was even proven. These people are SO BAD, they are just up and quitting. I don't understand why, because most sound like aggressive mating rituals, not evil demonic assholes.
Now, here's where the problem comes in. The liberals are willing to sacrifice, quite literally, HUNDREDS of these celebrities in an effort to establish a new "normal". This new "normal" being, you don't wait for a guy to be proven guilty, you can him now.
What will be next is they pull out President Trumps accusers from years ago and effectively demand that he too relinquish his post because, normal.
HAHA. These fuckers.
- T
One thing to remember here is that all the impact has been before guilt was even proven. These people are SO BAD, they are just up and quitting. I don't understand why, because most sound like aggressive mating rituals, not evil demonic assholes.
Now, here's where the problem comes in. The liberals are willing to sacrifice, quite literally, HUNDREDS of these celebrities in an effort to establish a new "normal". This new "normal" being, you don't wait for a guy to be proven guilty, you can him now.
What will be next is they pull out President Trumps accusers from years ago and effectively demand that he too relinquish his post because, normal.
HAHA. These fuckers.
- T
FINALLY! Illegal immigrant crime data!
Ever wonder why you don't see any statistics regarding illegal immigrant crime? Cause they didn't want you to...
Check THIS out...
Check THIS out...
Saturday, December 23, 2017
Shit List...
I'm not sure how I'll manage this but I'm going to start tracking dipshits here. Let's see how it goes.
Michael D' Antonio - Douchebag that wrote "The Truth About Trump". Likes to say inflammatory things about Trump so places like the New York Times can quote him without saying it themselves. Total douche, but making money off the machine really.
Frank Sharry, executive director of America's Voice, a pro-immigration group - likes to spin everything toward racism. Total dipshit single minded fuck.
Michael D' Antonio - Douchebag that wrote "The Truth About Trump". Likes to say inflammatory things about Trump so places like the New York Times can quote him without saying it themselves. Total douche, but making money off the machine really.
Frank Sharry, executive director of America's Voice, a pro-immigration group - likes to spin everything toward racism. Total dipshit single minded fuck.
Fucking traitors...
You know, I write what I write here because as much as they like to make you think you can communicate in this connected world, they are lying. You need to be a collective force of whining bitches to get any attention at all. So here, I blog the truth. And all you fuckers can suck it.
The New York Times spouted some serious bullshit, again, today. This time they publish what Trump "grumbled" in a meeting to the ENTIRE FUCKING WORLD and then whine that "how's that making us look".
You guys are douchebags. You actively commit treason to make that situation come about and then report on it like we don't fucking see what you just did.
From here I want to start cussing. I want to hit you. I want to beat your fucking face in til it's a bloody pulp and you're crying for me to stop. You don't deserve to breathe my clean American air.
But I won't. What I will say is this. Fuck you, you don't deserve to live in this Country. You prove yourself traitors, again.
- J
The changes have had far-reaching
consequences, both for the immigrants who
have sought to make a new home in this
country and for America’s image in the world.
The New York Times spouted some serious bullshit, again, today. This time they publish what Trump "grumbled" in a meeting to the ENTIRE FUCKING WORLD and then whine that "how's that making us look".
You guys are douchebags. You actively commit treason to make that situation come about and then report on it like we don't fucking see what you just did.
From here I want to start cussing. I want to hit you. I want to beat your fucking face in til it's a bloody pulp and you're crying for me to stop. You don't deserve to breathe my clean American air.
But I won't. What I will say is this. Fuck you, you don't deserve to live in this Country. You prove yourself traitors, again.
- J
The changes have had far-reaching
consequences, both for the immigrants who
have sought to make a new home in this
country and for America’s image in the world.
Wednesday, December 20, 2017
Fuck you Politico...
This fuckin blog rag. I fuckin hate these guys half the time. I will tell you this. It's fuckin RETARDED that you guys have to look at Facebook as your source of authentication to be able to comment on your shit rag. Well fuck you. I'm not doing it. I'm not some bitchy, whiney, envious, fuck that needs to see what EVERBODY else did today to see if my life stacks up. And you guys are douchebags.
Fuck you.
All the staff here at Fuck You Central.
Fuck you.
All the staff here at Fuck You Central.
Thursday, December 14, 2017
I always SAID techno was all the same...
4/4 133bpm
INTRO:
First 16 bars: intro, basic introduction of the main theme, sparse mix with loud kick drum for easy mixing. NEVER NEVER NEVER fade in the track, __ALWAYS__ start the track with a loud clearly discernable kick drum so that the DJ can match the kick with the record currently playing and then adjust the pitch accordingly.
First 16 bars: intro, basic introduction of the main theme, sparse mix with loud kick drum for easy mixing. NEVER NEVER NEVER fade in the track, __ALWAYS__ start the track with a loud clearly discernable kick drum so that the DJ can match the kick with the record currently playing and then adjust the pitch accordingly.
FIRST SECTION OF HARD TRACK:
Bars 17-24: This is your very first section of hard track. All house music is based on the 8 bar loop. Bare minimum there should always be some kind of fill on the 8th bar of every section. This is where you bring in your first layer of additional instrumentation into the mix.
Bars 17-24: This is your very first section of hard track. All house music is based on the 8 bar loop. Bare minimum there should always be some kind of fill on the 8th bar of every section. This is where you bring in your first layer of additional instrumentation into the mix.
Bars 25-32: Repeat bars 17-24 with slight variation on the fill for bars 28 and 32.
Bars 33-40: Repeat bars 17-24 verbatim
Bars 41-48: Repeat bars 25-32 verbatim
FIRST BREAK:
Bars 49-56: This is the first 8 bar section. This is a very hard part to write because you have to transition from the first 32bar section of hard track into the second section of the break where you drive the crowd into a frenzy. You need to deviate enough to let people know something is coming, but you cannot go too far or you lose the energy. This is where you start building the tension.
Bars 49-56: This is the first 8 bar section. This is a very hard part to write because you have to transition from the first 32bar section of hard track into the second section of the break where you drive the crowd into a frenzy. You need to deviate enough to let people know something is coming, but you cannot go too far or you lose the energy. This is where you start building the tension.
Bars 57-64: This is where you drop out the kick drum, break into a more complex rhythm and introduce the next set of weird noise that are going to be the hook for your track. It should build up in two bar units 2-4-6-8 so that by the last two bars of the break the crowd is about to explode.
SECOND SECTION OF HARD TRACK:
Bars 65-104: This is where you drop whatever hook you have come up with to really bring the track into gear. This is basically two 32 bar section pasted back to back. This is where you track it out and let the groove work. The same structure that you used on the first section of hard track applies, but you will want to think about using other sonic tricks to keep peoples ears.
FIRST MIX OUT SECTION:
Bars 105-120: You have just beaten the crowd over the head with the main theme and your first set of production tricks, you need to give the crowd a half minute to catch their breath or give the DJ a chance to mix out into the next record. The arrangement becomes sparse again, and you make it easy for another similiar record to overlap with this section so that the DJ can seamlessly mix out of this record. This is basically the second break, but it is just a stripped down version of the first hard track section. You might want to introduce a new theme here that will be carried out in the next section of hard track, but the main idea is to keep it simple and sparse.
Bars 105-120: You have just beaten the crowd over the head with the main theme and your first set of production tricks, you need to give the crowd a half minute to catch their breath or give the DJ a chance to mix out into the next record. The arrangement becomes sparse again, and you make it easy for another similiar record to overlap with this section so that the DJ can seamlessly mix out of this record. This is basically the second break, but it is just a stripped down version of the first hard track section. You might want to introduce a new theme here that will be carried out in the next section of hard track, but the main idea is to keep it simple and sparse.
SECOND HARD TRACK SECTION:
Bars 121-184: This section works just like the first section of Hard Track, but with a slightly different hook and a different set of production tricks. You want this section to have a little more punch than the first section in order to justify the second repetition of the track.
Bars 121-184: This section works just like the first section of Hard Track, but with a slightly different hook and a different set of production tricks. You want this section to have a little more punch than the first section in order to justify the second repetition of the track.
SECOND MIX OUT SECTION:
Bars 185-200: This works exactly the same as the first section, but is a little more complicated because it needs to lead into the next section which is:
Bars 185-200: This works exactly the same as the first section, but is a little more complicated because it needs to lead into the next section which is:
SECOND BREAK SECTION:
Bars 201-216: Works just like the first break section, but it needs to be even more spectacular because the crowd has already been listening to this record for the last 5 minutes. You need to bear in mind that a beginner DJ may have already flubbed the mix on the last two mix out sections and is starting to sweat it a little.
Bars 201-216: Works just like the first break section, but it needs to be even more spectacular because the crowd has already been listening to this record for the last 5 minutes. You need to bear in mind that a beginner DJ may have already flubbed the mix on the last two mix out sections and is starting to sweat it a little.
THIRD HARD TRACK SECTION:
Bars 217-280: This is the last section of Hard Track and this is where you pull out everything you have got to make this track storm.
This track has already been playing for six minutes, so you have got to hit them with the best variation of the theme.
Bars 217-280: This is the last section of Hard Track and this is where you pull out everything you have got to make this track storm.
This track has already been playing for six minutes, so you have got to hit them with the best variation of the theme.
FINAL MIX OUT SECTION:
Bars 281-312: This is the outro for a dance record. You just state the basic theme of the record and make the mix sparse and kick drum heavy so that it is easy to mix out of.
Bars 281-312: This is the outro for a dance record. You just state the basic theme of the record and make the mix sparse and kick drum heavy so that it is easy to mix out of.
Wednesday, December 6, 2017
Whine much?
So keep this in mind. By the 1600's the Spanish Royal/Corporate interests had already decimated the population of South and Central American AND portions of North America. This is 150 years before there was a United States.
Corporate/Royal interest drove the further slaughter of another 30 million indians until we rounded the remainder up into shithole reservations all over the continent.
When we started we had slaves.
Half way in, over 100 years ago, we finally let chicks vote and made black people full members of society.
Now our society has socialist government programs that give people up to 50k a year in some states (ahem, Hawaii), we have Kim Kardashian, and the Olympian formerly known as Bruce fuckin Jenner!
And you tell me we have to get MORE liberal? Hogwash I say to you. Hogwash.
- T
Corporate/Royal interest drove the further slaughter of another 30 million indians until we rounded the remainder up into shithole reservations all over the continent.
When we started we had slaves.
Half way in, over 100 years ago, we finally let chicks vote and made black people full members of society.
Now our society has socialist government programs that give people up to 50k a year in some states (ahem, Hawaii), we have Kim Kardashian, and the Olympian formerly known as Bruce fuckin Jenner!
And you tell me we have to get MORE liberal? Hogwash I say to you. Hogwash.
- T
Best expression of the current racial state I've seen...Joyner Lucas FTW
Great video if you haven't seen it. Made me tear up a bit. I can't like it on Facebook so I'm likin' it here.
Now, I think that is the START of a necessary conversation. I know this, just saying it out loud is the start of what it means to be American.
To my nephew.
Love you, Son.
- J
Now, I think that is the START of a necessary conversation. I know this, just saying it out loud is the start of what it means to be American.
To my nephew.
Love you, Son.
- J
A new conservative site...
I think I've said it before but I'll say it again. Believe it or not we are democrats. A conservative bunch but democrats none the less.
Our new favorite conservative site is conservativetribune.com. Good job to all the people over there! I hope it makes you rich now because it is already making an impact.
Good luck in the future and God's speed to your message,
- J
Our new favorite conservative site is conservativetribune.com. Good job to all the people over there! I hope it makes you rich now because it is already making an impact.
Good luck in the future and God's speed to your message,
- J
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